Oil On Canvas, Real Flavor of Old Masters

All Carlos Schwabe 's Paintings
The Painting Names Are Sorted From A to Z


ID Image  Painting (From A to Z)       Details 
86390  
La vague, Carlos Schwabe
 
 La vague   oil on canvas, 196 x 116 cm Mus x e d'art et d'histoire, Geneve cyf
22327  
Pain (mk19), Carlos Schwabe
 
 Pain (mk19)   1893 Oil on canvas,155 x 104 cm Musee d'Art et d'Histoire,Geneva
22276  
Poster of the first Rose Croix salon (mk19), Carlos Schwabe
 
 Poster of the first Rose Croix salon (mk19)   1892 Lithograph,199 x 80 cm Private collection
22258  
Study for The Wave female figure left of the central figure (mk19), Carlos Schwabe
 
 Study for The Wave female figure left of the central figure (mk19)   1906 Mixed media on board,66.2 x 48 cm Musee d'Art et d'Histoire,Geneva
22326  
Study for The Wave,feminine figure,back right Mixed media on board (mk19), Carlos Schwabe
 
 Study for The Wave,feminine figure,back right Mixed media on board (mk19)   66.2 x 48 cm Musee d'Art et d'Histoire,Geneva
22325  
The Grave-Digger's Death (mk19), Carlos Schwabe
 
 The Grave-Digger's Death (mk19)   1895-1900 Water-colour and gouache,75 x 55.5 cm Cabinet des dessins,Musee du Louvre,Paris

Carlos Schwabe
German Symbolist Painter, 1877-1926 Swiss painter and printmaker of German birth. He became a Swiss citizen and received his artistic training under Joseph Mittey (b 1853) at the Ecole des Arts Decoratifs in Geneva. Following brief success there, Schwabe moved to Paris where he supported himself as a designer of wallpaper while he developed considerable graphic skills. He soon became active in Symbolist circles, winning favour as an illustrator of mystical religious themes. His highly refined drawings and watercolours accompany texts such as Le Reve by Emile Zola (published 1892; drawings, Paris, Pompidou; exhibited Sociot Nationale des Beaux-Arts, also in 1892), Baudelaire's Les Fleurs du mal (1900), Maeterlinck's Pellias et Melisande, Catulle Mendes's L'Evangile de l'enfance de notre Seigneur Jesus-Christ selon Saint Pierre (1900) and Albert Samain's Jardin de l'Infante (1908).



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